The 22nd Annual Screen Actors Guild Award Nominees, My Picks and the Actual Winners, by Julie Renee Phelan

On January 30^th, we have the Screen Actors Guild Award, known as the SAG Awards on TNT and TBS at 5:00 Pacific Coast Time or 8:00 Atlantic Coast Time. I enjoy watching movies so I decided to look into the origin of this award ceremony; it is presented by the Screen Actors Guild-American Federation of Television and Radio Artists in order to appreciate performances that are outstanding in film and television. The Screen Actors Guild originated in 1933, and it was necessary for the studios were exploiting the actors by demanding them to work unreasonable contracts that included the number of movies to be completed within a certain amount of time, and the number of hours to be worked in a twenty-four hour period by the actors.

The statue of this award ceremony is a nude male figure, which is holding a mask of comedy and another mask for tragedy. This award is often referred to as the Actor; it stands 16 inches tall, weights more than 12 pounds, and is made of solid bronze by the American Fine Arts Foundry in Burbank, California. 

 
SAG has been presenting this special award ceremony since 1995. The nominations come from two difference committees, one for film and the other for television. Those on the committee are selected randomly each year from their union, and it consists of 2,100 members. The membership of this union consists of approximately 165,000 individuals. 

Since I rarely watch television, I cannot comment on the potential winners. I however do watch a great many films, and will be presenting you with a list of nominees in each of the categories as well as my picks for potential winners. Here’s the full list of nominees. Please lift a glass of champagne with me, nibble on a stuffed mushroom, and enjoy the awards ceremony. The title of the categories, and my picks for winners are in bold. The actual winners are in italics and bold.

Outstanding Performance by a Male Actor in a Leading Role:
Dalton Trumbo – “TRUMBO/ BRYAN CRANSTON “MBO” (Bleecker Street)
JOHNNY DEPP / James “Whitey” Bulger – “BLACK MASS” (Warner Bros. Pictures)
LEONARDO DiCAPRIO / Hugh Glass – “THE REVENANT” (20th Century Fox)
MICHAEL FASSBENDER / Steve Jobs – “STEVE JOBS” (Universal Pictures)
EDDIE REDMAYNE / Einar Wegener/Lili Elbe – “THE DANISH GIRL” (Focus Features)

Outstanding Performance by a Female Actor in a Leading Role:
CATE BLANCHETT / Carol Aird – “CAROL” (The Weinstein Company)
BRIE LARSON / Ma – “ROOM” (A24)
HELEN MIRREN / Maria Altmann – “WOMAN IN GOLD” (The Weinstein Company)
SAOIRSE RONAN / Eilis – “BROOKLYN” (Fox Searchlight Pictures)
SARAH SILVERMAN / Laney Brooks – “I SMILE BACK” (Broad Green Pictures)

Outstanding Performance by a Male Actor in a Supporting Role:
CHRISTIAN BALE / Michael Burry – “THE BIG SHORT” (Paramount Pictures)
IDRIS ELBA / Commandant – “BEASTS OF NO NATION” (Netflix)
MARK RYLANCE / Abel Rudolph – “BRIDGE OF SPIES” (DreamWorks)
MICHAEL SHANNON / Rick Carver – “99 HOMES” (Broad Green Pictures)
JACOB TREMBLAY / Jack – “ROOM” (A24)

Outstanding Performance by a Female Actor in a Supporting Role:
ROONEY MARA / Therese Belivet – “CAROL” (The Weinstein Company)
RACHEL McADAMS / Sacha Pfeiffer – “SPOTLIGHT” (Open Road Films)
HELEN MIRREN / Hedda Hopper – “TRUMBO” (Bleecker Street)
ALICIA VIKANDER / Gerda Wegener – “THE DANISH GIRL” (Focus Features)
KATE WINSLET / Joanna Hoffman – “STEVE JOBS” (Universal Pictures)
Video:Rooney Mara on Her Romance with Cate Blanchett in ‘Carol’
 
Outstanding Performance by a Cast in a Motion Picture:
BEASTS OF NO NATION (Netflix)
ABRAHAM ATTAH / Agu
KURT EGYIAWAN / 2nd I-C
IDRIS ELBA / Commandant

THE BIG SHORT (Paramount Pictures)
CHRISTIAN BALE / Michael Burry
STEVE CARELL / Mark Baum
RYAN GOSLING / Jared Vennett
MELISSA LEO / Georgia Hale
HAMISH LINKLATER / Porter Collins
JOHN MAGARO / Charlie Geller
BRAD PITT / Ben Rickert
RAFE SPALL / Danny Moses
JEREMY STRONG / Vinny Peters
MARISA TOMEI / Cynthia Baum
FINN WITTROCK / Jamie Shipley

SPOTLIGHT (Open Road Films)
BILLY CRUDUP / Eric MacLeish
BRIAN D’ARCY JAMES / Matty Carroll
MICHAEL KEATON / Walter “Robby” Robinson
RACHEL McADAMS / Sacha Pfeiffer
MARK RUFFALO / Michael Rezendes
LIEV SCHREIBER / Marty Baron
JOHN SLATTERY / Ben Bradlee, Jr.
STANLEY TUCCI / Mitchell Garabedian

STRAIGHT OUTTA COMPTON (Universal Pictures)
NEIL BROWN JR. / DJ Yella
PAUL GIAMATTI / Jerry Heller
COREY HAWKINS / Dr. Dre
ALDIS HODGE / MC Ren
O’SHEA JACKSON JR. / Ice Cube
JASON MITCHELL / Eazy-E

TRUMBO (Bleecker Street)
ADEWALE AKINNUOYE-AGBAJE / Virgil Brooks
LOUIS C.K. / Arlen Hird
BRYAN CRANSTON / Dalton Trumbo
DAVID JAMES ELLIOTT / John Wayne
ELLE FANNING / Niki Trumbo
JOHN GOODMAN / Frank King
DIANE LANE / Cleo Trumbo
HELEN MIRREN / Hedda Hopper
MICHAEL STUHLBARG / Edward G. Robinson
ALAN TUDYK / Ian McLellan Hunter

Review: Film: Carol, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4.5

            The Film, Carol starring Cate Blanchett as Carol Aird, and Rooney Mara as Therese Belivet, who reminds me of a young Audrey Hepburn, is set against a remarkable musical score that at times is ironic by Carter Burwell. The costume designs are exceptional, even the plaid lines match on either side of the seam. Due to the body language and the intricacy of the musical selections, I may have been able to watch and understand the movie without listening to the dialogue. The music and body language took front and center in the telling this intimate tale of love between two women. The subject matter is tastefully and sensitively done so the audience may grasp the depth of their love, which is one of natural beauty. Carol's romantic love life starts and ends with a lesbian lover. In this manner, her life comes full circle, which Carol actually says in the film, and that is unfortunate since most of the film is based on nuance: it leaves the audience with some incongruity. 
          This story takes place during the 1950s: the lesbian relationship therefore ends on a tragic note with a “morality clause” inserted in a divorce proceeding between Carol and her husband, Harge Aird starring Kyle Chandler, who plays a perfectly despicable jealous husband out to scorn and shame rather than respect and honor the nature of love between two women.

Review: Film: Deadringers, by Julie Renee Phelan

Thumps from 1 to 5, Thump of 4.5

The film “Dead Ringers” was released in 1998. The movie is psychologically horrifying flick, starring Jeremy Irons, playing identical twin gynecologists. The starring role was originally offered to Robert DeNiro and William Hurt, but they turned the roles down. Robert DeNiro felt uncomfortable playing a gynecologist and William Hurt was unsure as to whether or not he could play twins. The film was inspired by true life events of Stewart and Cyril Marcus, two gynecologists in Manhattan, New York. From that account, a novel ensued by Bari Wood and Jack Geasland entitled “Twins.” The screenplay was co-written by Norman Snider and David Cronenberg. This film could have only been directed by none other than David Cronenberg.

David Cronenberg is the ideal person to write and direct “Dead Ringers” with its leaning to and for the absurdly macabre. This film is a grim and ghastly tale of two aspiring, talented and successful gynecologist gone awry. Watch these two physicians engage in their representation of the ever-present and universal power of death, as they move to the same cords of what is known in English literature as the Dance of Death.

This Dance of Death is done by the main stars Elliott and Beverly Mantle, played by Jeremy Irons. Elliot is the more aggressive, selfish and self-confident while Beverly is more effeminate, considerate and unassuming. They have their own private practice known as the Mantle clinic. Elliott enjoys seducing his clients, and passes those he considers above par onto his brother, Beverly. However, the women are unaware of the substitution, bait and switch.

The conflict arises when Beverly falls in love with actress Claire Niveau, played by Genevieve Bujold. The twins become interested in Claire upon gynecological examination when physicians realize she is a trifurcate. A trifurcate is an abnormality in the reproductive system consisting of three doorways into the uterus. Claire upsets the equilibrium balance and pattern historically established between the twins. Beverly is stimulated and tells Claire that her condition is “fabulously rare.”

Claire introduces Beverly into the world of drug abuse. Not only does Beverly take to Claire, but he also enjoys all sorts of prescription drugs. Claire leaves for ten weeks, and Beverly spirals down into the abyss of drug abuse, depression and delusions regarding “mutant woman” with abnormalities within female reproductive organs. To fix the abnormalities, Beverly draws a new set of gynecological instruments, has them made by a local artist, and commences to perform operations on women using those Cronenberg fashioned surgical tools. Could those new surgical tools be indicative of a disturbed mind?

Dead Ringers is a maverick, hard to believe film, but based on a true story. This Cronenberg movie is filmed in Toronto, Canada, and is considered in the top ten of all Canadian Films.

Review: Film: Black Mass, by Julie Renee Phelan

Thumps from 1 to 5. Thumps of 4.

A film adopted from a novel, Black Mass: The Irish Mob, The FBI and a Devil’s Deal, co-authored by Harvey Winstein and Dick Lehr was entertaining, well done by the actors, producers, but failed to deliver new information. It is based on a true story, but is an all too often repeat of a United States government federal agent aggrandizing themselves by playing with the “bad boys” in order to get the “other bad boys.” The cast of characters is well played by Joel Edgerton as John Connolly, and Johnny Depp as James “Whitey” Bulger. Johnny does a convincing job; I did not know who was playing the character until I saw Johnny on the big screen against the bay, and realized that it was Johnny Depp playing a character somewhat similar to another character he played in another movie, Donnie Brasco in 1997. I know who Johnny Depp is, but the make-up job on his face was quite remarkable; he was unrecognizable until it was obvious that he was drawing on a character that he successfully played nearly twenty years prior to the release of this new film. The twist on the old story line was that John Connolly and James “Whitey” Bugler were childhood friends, and that Whitey had a brother who was in the State Senate. The connection of the two brothers is true, but the State Senator did not in any manner, help his criminal brother build his criminal empire, but rather the FBI Agent did help Whitey build his empire. It is entertaining, and if the audience is young enough, it maybe new information, but it surprises me in absolutely no manner that federal agents behave criminally, and often times act in the interest of their friends and family who are criminals themselves.

Review: Film: Rear Window, by Julie Renee Phelan

Thumps from 1 to 5: Thump of 5.

The film “Rear Window” is a 1954 mystery suspense thriller film directed by Alfred Hitchcock, written by John Michael Hayes. The film is based on Cornell Woolrich's short story “It Had to Be Murder.” It stars James Stewart , playing L. B. "Jeff" Jefferies, a photographer who spies on his neighbors while recuperating from a broken leg, Grace Kelly, playing Lisa Fremont, L.B. Jefferies girl-friend, Thelma Ritter, playing Stella, L.B. Jefferies home care nurse, Wendell Corey, playing Tom Doyle, L.B. Jefferies friend, and Raymond Burr, L.B. Jefferies neighbor.

“Rear Window” is Hitchcock’s finest film. It received four Academy Award nominations, Best Director for Alfred Hitchcock, Best Screenplay by John Michael Hayes, Best Color Cinematography by Robert Burks, and Best Sound by Loren L. Ryder.

L.B. Jefferies broke his leg while on a dangerous photography assignment. Jefferies is confined to his wheelchair in his apartment in Greenwich Village, and rear window overlooks a courtyard. From his rear window, Jeff also has a view inside many neighbors’ apartments through their large rear windows. The apartment is an ideal set up for a voyeur with a zoom lens. The apartment complex is a real fish bowl.

Jefferies passes the time during the hot and humid hot summer sun trying to reach an unattainable itch inside his hard full length plaster leg cast. Fortunately, the neighbors keep their windows open to stay cool, and Jeff has access to his telephoto lens on his camera. Jeff has both sound and sight to augment his enthusiastic new-found profession of voyeurism. He watches a lovely dancer, who wears little, a lonely hearts woman, a composer, and some married couples, including a newly married couple, and a salesman with a bedridden wife.

Jefferies watches the salesman make repeated late-night trips with a large suitcase, and his wife is gone or is she missing. The salesman cleans a knife and handsaw in his kitchen sink. The salesman has a large trunk tied with heavy rope removed from his apartment. The neighbor’s dog is found dead with its neck broken. The suspicious late-night trips lugging a suitcase, missing wife, cleaning of knife and handsaw, trunk tied with rope, and the dead dog all point to murder. These observations of Jeff’s are shared with Lisa and Stella, each participant brings their own paranoia and fears creatively into Jeff’s hypothesis of murder.

Of exceptional note is the filming. The entire film is filmed through the rear window of L.B. Jefferies apartment, except when the dog is found dead in the courtyard. Otherwise, the entire intrigue takes place in Jeff’s apartment, or within the mind of one unit escaping only when the dog is found dead to the courtyard. The filming is a brilliant piece of a mastermind, such as that in which only can be produced by Hitchcock. Where does Hitchcock appear? Hitchcock can be found winding the clock in the composer’s apartment.

Review: Film: The Martian, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4.            

          The Martian movie with Matt Damon who plays Mark Watney is entertaining, but is not an Oscar contender. The movie is based on a novel, The Martian, by Andy Weir. I am not sure if the writers of the screenplay changed the novel, but they had a lot to work with, a good looking healthy man with a comedic flare alone on Mars, but failed to deliver the sorts of meaningful human experience that should have encompassed this movie in order to put this one on the map. Rather than mark the movie as uniquely its own, the film made allusions or paid homage to a previous space movie, Apollo 13 in which one of the main actors, Jeff Daniels also made a previous appearance in that film.

            I enjoyed the disco tunes, and the comedic moments with Matt Damon, and he did deliver it well. It is true, I watched the film in 3D, and if you have motion sickness beware, this will get your stomach tipsy, nauseate it a bit, and throw your equilibrium on its side. It is unfortunate with all those possible distortions that the writers did not take the audience for a real ride. It was a film that could have been, but failed to deliver the momentous goods. Ridley Scott, the Director played it fast and loose as he is notorious for doing, but without a well written script, it did not matter who is behind the camera. Ridley Scott did an excellent job, Matt Damon and the other actors delivered polished performances, but the script was lacking in substance; by the writers paying homage to a previously successful movie, and adding the Chinese emerging aerospace program; it scapegoated and undermined an otherwise ripe screenplay full of potential possibilities, which remain undelivered. 

Review: Film: Videodrome, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4
“Videodrome” is a cult-classic from 1983. “Viedeodrome is written and directed by David Cronenberg. This film stars James Woods and Deborah Harry from “Blondie.” It is one of his most original and provocative films, fusing social commentary with shocking sex, torture and violence, and psychological hallucinations. At times, the viewer is left wondering how “Videodrome” was ever produced and distributed. How did they get this past the censure board? For its time, it has groundbreaking special effects, and makeup by Academy Award winner, Rick Baker. “Videodrome” is one of the most influential horror and mind-bending science fiction films of the 1980s.

When Max Renn, played by James Woods, goes looking for edgy new shows for his sleazy cable TV station, he stumbles across the pirate broadcast of a violent torture show named “Videodrome.” As Max Renn struggles to unearth the origins of the program, he embarks on a hallucinatory journey into a shadowy underworld communicating to him through an analog-philia of right-wing conspiracies, sadomasochistic sex games, republican senators, and bodily transformation and mutilation.

The irony of the film is that it was top of the line in technology. However, the technology they use in the film for video is the old VHS tape systems coupled with an analog communications system. The distortion or fuzz on the television screen means hallucinations are being transcribed into the mind of the person viewing the screen. One of the highlights of the movie is when James Woods inserts a VHS tape into an insertion in his stomach, and the old VHS tape takes control of his mind. Like fine wines, this film has improved over the last few decades.

From an historical perspective, it is an interesting film to view in relationship to archaic analog and VHS technology. Although “Videodrome” lacks the most modern technological advancement, the viewer is left wondering how David Cronenberg ever thought of such a twisted scenario. The film in 1983 and now pushes the envelope regarding social taboos. In 1983, the populace was into sex, cocaine, pot, speed, Macintosh computers and rock-n-roll. The film scored fourth as “Bravo TV's” “30 Even Scarier Movie Moments.” Also, it was selected as one of the “23 Weirdest Films” of all time. This is a must keep for the film industries historical archives.

Review: Film: Zorba the Greek, by Julie Renee Phelan

Thumps from 1 to 5, Thumps of 4.5

“Zorba the Greek” film is based on a novel written by Nikos Kazantzakis. It is the 1964 winner of Academy Awards for Best Cinematography by Walter Lassally, Supporting Actress, played by Lila Kedrova, and Art Direction and Set Decoration. “Zorba the Greek” was also nominated for Best Picture, Actor, Anthony Quinn, Director and adapted screenplay by Michael Cacoyannis.

Walter Lassally, who was the Cinematographer for the film now lives near Chania in Crete, where he shot Zorba the Greek in 1963. Walter Lassally’s Oscar is shown in Tavern Christiana in Stavros, Greece. The name of the village Stavros, which means cross in Greek may as well act as a metaphor for the growth and transformation of the character Basil. Stavros beach is a famous location because Quinn's character, Zorba and Basil, dance the Sirtaki.

Basil, a timid English writer, played by Alan Bates, inherits a mine on Crete. Basil is half-English and half Greek, but was born and raised in England. Basil is book smart, and life dumb. When Basil hires an eccentric stranger, Zorba, to work in his mine, he finds himself drawn into a world fare more exciting and dangerous than any he has ever known. Zorba courts too many women, endures catastrophic perils in the mine that scares off other workers, and defies a group of village men seeking vengeance on a beautiful young window for thwarting their sexual advances.

Eventually, Zorba’s undying exuberance to create more and more chaos leaves Basil in a vulnerable position. Thanks to Zorba, in order to survive Basil undergoes a personality transformation into a more active participant in life. The mine on Crete … who cares about the mine … embrace the transformation of Basil and a life fulfilling story of living life to its fullest.

This film is swelling with inspiration from the story writing, acting, direction, and artful picturesque cinematography. Before you travel to Greece, watch this film. This film is a passionate introspective inspirational vision of transformation of personalities due to adverse situations and friendship. This film is a case study regarding life’s adventures and the reason each life is so precious and wonderful. Similar to a piece of art, life in the end is not always, what is important in the beginning. This film brings that message to the sand, and every now and again, we may all learn a new dance, perhaps the Sirtaki.

Review: Film: Harvey, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4.5

The film “Harvey” was released in 1950. The film is based on Mary Chase’s Pulitzer Prize Winning play, directed by Henry Koster, starring James Stewart and Josephine Hull. The story is about a man whose best friend is a "pooka" named Harvey—in the form of a six-foot, three-and-one-half-inch tall rabbit which happens to be the same height as Jimmy Stewart, but Jimmy always looked up when speaking to the imaginary rabbit. A better estimate of the rabbit’s height would be six feet six inches.

Elwood P. Dowd, played by Jimmy Stewart, is a middle age, amiable but eccentric man whose best friend is this invisible rabbit, who is referred to as Harvey. Elwood Dowd described Harvey as a “pooka,” a benign yet somewhat mischievous creature from Celtic mythology, fond of outcasts. Elwood lives with his sister, Veta Louis Simmons, played by Josephine Hull and niece, Myrtle Mae Simmons, played by Victoria Horne, by formerly introducing house-callers to Harvey. Elwood’s sister and niece are reluctantly unsure as to the cause of this obsession and compulsion regarding the existence of Harvey. They wonder if Harvey is a product of Elwood’s propensity to consume alcohol, mental illness, or an effort towards irritation and driving them out of their wits.

Vita, Elwood’s sister, tries to have him committed to a mental institution for Harvey is now affecting her. In exasperation, she admits to the psychiatrist, Dr. Lyman Sanderson, played by Charles Drake, that after so many years of his invisible rabbit, she now sees him occasionally too. Dr. Lyman becomes alarmed, and institutionalizes Vita rather than Elwood. Elwood and Harvey obliviously happy take a cab back to town. The cab driver, played by Wallace Ford, politely listens to the purported conversation between Elwood and Harvey. The head of the institution, Dr. Chumley, played by Cecil Kellaway, sorts out the mistake.

After the psychiatrist find Elwood and Harvey propped up by a stool at the local pub, Elwood tells an incredible story of exactly how he came to meet and know Harvey. Elwood explains the unusual manner in which people react upon meeting Harvey, and provides the psychiatrist with valuable insight into his philosophy of life.

Years ago my mother used to say to me, she’d say, “In this world, Elwood you must be”—she always called me Elwood—“In this world, Elwood you must be oh so smart or of so pleasant.” Well for years I was smart. I recommend pleasant. You may quote me.

This delightful film received two Academy Award nominations. James Stewart received a nomination for Best Actor while Josephine Hull received an Academy Award, Oscar, for Best Supporting Actress. Is Harvey coming to your next party?

Review: Film: Gigi, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 5

The film “Gigi” was release in 1958. This American musical is based on a novella by Colette, screenplay by Alan Jay Lerner, music by Frederick Loewe, music conducted by Andre Previn, and directed by Vincente Minnelli. This film is considered to be the last great MGM musical, and the final great achievement of the Freed Unit, headed by producer Arthur Freed. I am proud to report this is an American musical with all the class and sophistication that can be eked out of those Parisians.

The tale is set at the turn of the 20th Century in Paris. The musical commences with Honore Lachaille, played by Maurice Chevalier, explaining the facts of life to his nephew Gaston Lachaille, played by Louis Jourdan. Gaston is bored with life, but enjoys spending time with Madame Alvares, played by Hermione Gingold and especially her granddaughter, Gigi, played by Leslie Caron.

According to family tradition, Madame Alvarez sends Gigi to her Aunt Alicia, played by Isabel Jeans to be groomed as a courtesan. As a courtesan, Gigi must have etiquette, poise, charm and sophistication. Gigi is difficult, she cheats in cards, but is disarming. Gaston soon discovers Gigi's wily ways while on vacation with her at the seashore. At the shore, there is a rendez vous amongst old lovers Madame Alvarez and Honore Lachaille, and new lovers Gigi and Gaston Lachaille.

Gaston is a notorious lover with women trying to commit suicide due to his insolence and precarious disposition. Regardless of Gaston’s deplorable behavior, Aunt Alicia insist that Gigi must increase her etiquette lessons if she want to potentially catch a prize, such as Gaston. Gaston drops by for a visit, and Gigi is dressed not in a French girl school uniform, but rather in a beautiful dress for a lady. Gaston becomes angry, but fails to realize why. Gaston was angry in fear of losing Gigi to another man. Without Gaston realizing it, he was in love with Gigi.

This is one of the most wonderful movies of all time. The film is exuberant, bright and witty, and the stars invite you into a different world, a world in which we should all be a part. Enjoy this adoring musical with such songs like The Night They Invented Champagne and I Remember It Well. Watch this musical when you feel as though you need to be a part of another world, France 1900.

Gigi was nominated for nine Academy Awards. Gigi won all nine Academy Awards including Best Picture, Best Director, Best Adapted Screenplay, Best Art Direction, Best Cinematography, Best Costume Design, Best Film Editing, Best Scoring of Musical Picture and Best Original Song.

Review: Film: Everest, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 3.5      

The movie released, Everest is in 3D, and provides some unique cinematography that ordinarily we would never be able to see in our lifetime. For that purpose, the movie is an important viewing experience. It is partially filmed in Nepal, making some of the shots memorable, but unfortunately they only had permission for two weeks of filming at that location.

            The film is about the human disaster that occurred on Mount Everest in 1996 due to an all too familiar storyline of humans thinking that they are more omnipotent than nature, nature took them for a ride of their lives, and most of them failed to survive. The movie unfortunately delivers the story without the emotional impact that it should have had, an error in the editing and writing rooms. The performances by Jason Clarke, Josh Brolin, John Hawkes, Robin Wright, Michael Kelly, Sam Worthington, Keira Knightley, Emily Watson, and Jake Gyllenhaal were solid, but there was too much film time spent on certain events, and not enough time spent on other events. There were gaps in the writing, coupled with a lack of writing imagination for what was really going on in the minds of those characters on left on the mountains overnight. There are some moments that are moving, but the overall experience was not as memorable as it should have been.

Review: Film: A Man for All Seasons, by Julie Renee Phelan

Thumps from 1 to 5: Thump of 4.

            The film “A Man for All Seasons” was released in 1966. The movie is based upon a play written by Robert Bolte. The film is directed by Fred Zinnemann, starring Paul Scofield, playing Sir Thomas More, Orson Welles, playing Cardinal Wolsey, Wendy Hiller, playing Alice More, Leo McKern, playing Thomas Cromwell, Robert Shaw, playing Henry the VIII Susannah York, playing Margaret More, Nigel Davenport, playing The Duke of Norfolk , John Hurt, playing Richard Rich , Corin Redgrave, playing William Roper, Colin Blakely, playing Matthew, Cyril Luckham, playing Archbishop Thomas Cranmer, Jack Gwillim, playing Chief Justice, and Vanessa Redgrave, playing Anne Boleyn.

Robert Bolte portrays Sir Thomas More, the ultimate man of conscience. Thomas More remains true to his principles and religion under all circumstances and at all times. For Thomas More, human dignity provides the right to be right, not the right to be wrong. However, the government begs to differ. Thomas More learns that humans in lesser power do not have the right to be right, but governments with more power have the right to be wrong. If a person chooses the right to their own conscience and human dignity, they may loose their head in the form of a beheading on behalf of the state. Bolte borrowed the title for the movie from Robert Whittington, a contemporary of More, who wrote him in 1520:

More is a man of an angel's wit and singular learning. I know not his fellow. For where is the man of that gentleness, lowliness and affability? And, as time requires, a man of marvelous mirth and pastimes, and sometimes of sad gravity. A man for all seasons. [1]"The film revolves around a crucial 16th Century political and religious controversy. The controversy was the power struggles over King Henry the VIII’s insistence on divorcing Catherine of Aragon and marrying his mistress, Anne Boleyn. The Pope of the Catholic Church had the power to grant Henry the VIII’s divorce. However, the Pope was not so inclined. As a result of the Pope’s refusal, King Henry the VIII declared himself head of the Church of England. Henry dissolved the monasteries, prohibited and persecuted Roman Catholic clergy and parishioners in England.

Sir Thomas More was the 16th-century Lord Chancellor of England who refused to sign a letter asking the Pope to annul the King's marriage and resigned rather than take an “Oath of Supremacy” declaring the King the Supreme Head of the Church of England. The King is Henry VIII of England and his wife is Catherine of Aragon. The film portrays Thomas More as a man of principle, motivated by his devout Roman Catholic faith and envied by rivals such as Thomas Cromwell for his ethics and discipline to truth both within himself and outside towards others.

Richard Rich was a social climber, who was responsible the demise and death of Sir Thomas More. Richard Rich in a Faustian Bargain, sold his soul to the devil for the accumulation of wealth and power. Rich was a former acquaintance of Sir Thomas Moore, who told a lie regarding Thomas More’s attitude toward Henry the VIII’s divorce. Rich's lie condemned More to death through beheading. Richand Rich later became Chancellor of England.

In the film, More was portrayed as a Renaissance Humanist. The main emphasis of Renaissance Humanism is on human dignity and potential, and an elevated status of mankind in nature. Despite Sir Thomas More’s silence, the British government did not treat him with dignity, and circumvented their own laws in order to grant King Henry the VIII a divorce. More’s refusal to speak or sign the oath was not a denouncement of Henry, but rather as a matter of law, his silence represents acquiescence. Thomas More was devoted to his love of books and education including his own daughter’s impressive learning.

“A Man for All Seasons” was nominated for eight Academy Awards including Best Supporting Actor for Robert Shaw, and Best Supporting Actress for Wendy Hiller. The film won six Academy Awards, including Best Picture and Best Actor for Paul Scofield. The film won Academy Awards for Best Adapted Screenplay by Robert Bolte, Cinematography by Ted Moore, Costume Design, and Best Director for Fred Zinneman. Although this film was nominated and won many academy awards, it is not to be viewed solely for entertainment purposes. This film is best when viewed in the interest of the historical subject matter of Sir Thomas More.

Work Cited

Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization. 28 November 2009 at 22:25. http://en.wikipedia.org/wiki/A_Man_for_All_Seasons_(1966_film)

Catholic Education Resources: http://www.catholiceducation.org/articles/politics/pg0078.html

          [1] Marvin O'Connell. "A Man for all Seasons: an Historian's Demur." Catholic Dossier 8 no. 2 (March-April, 2002): 16-19.

Review: Film: Laura, by Julie Renee Phelan

Thumps from 1 to 5: Thump of 4.5.
           This film “Laura” was released in 1944, and is a classic example of a film noir. The film is based on a novel by Vera Caspary. The screenplay is by Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt. The film is directed by Otto Preminger. It is culturally, historically and aesthetically significant in the development of films within the film noir genre. Besides being a film noir, it one of the best mystery films of all time.

New York police detective Mark McPherson, played by Dana Andrews, investigates the murder of a beautiful and successful executive Laura Hunt, played by Gene Tierney. Mark McPherson interviews a newspaper columnist Waldo Lydecker, played by Clifton Webb. Waldo Lydecker is a delusional writer full of himself. Lydecker is self absorbed as to his position in the world, and pontificates the importance of his mentorship in the success achieved by Laura. Lydecker enjoys socking in the bathtub surrounded by bubbles while he pecks away at his vintage typewriter.

McPherson questions Laura’s fiancé, Shelby Carpenter, played by none other than Vincent Price. Shelby Carpenter is a trust fund baby, who lost his trust and subsequently, his identity. Next, McPherson question Laura’s aunt, Ann Treadwell, played by Judith Anderson. Ms. Treadwell has too much money, and lacks the ability to ascertain appropriate behavior for her age. Lastly, McPherson questions Laura’s protective, loyal and lovely housekeeper Bessie Clary, played by Dorothy Adams.

During the investigation, McPherson enjoys the luxury of rubbing elbow with the wealthy, infamous and well-heeled. He also enjoys the pampered paradise of Laura’s apartment. McPherson falls in love with Laura’s portrait, hanging above the cozy fireplace, while he reads her personal love letters. McPherson finds a suspicious bottle of scotch in her apartment that is lesser than her normally consumed quality of liquor.

“Laura” was nominated for five Academy Awards, Best Director for Otto Preminger, Best Supporting Actor for Clifton Webb, Best Adapted Screenplay by Jay Dratler, Samuel Hoffenstein, and Elizabeth Reinhardt, Best Black and White Art Direction, and Interior Design by Lyle R. Wheeler, Leland Fuller, and Thomas Little, and won the Academy Award for Best Black and White Cinematography by Joseph LaShelle.

The film’s tension comes to a crescendo when high art meets the low motivation for murder. Throughout the movie, the suspect changes, just as the viewer thinks they know, the suspect elusively slips away. The closing lines of this film will live in infamy in the film industries historical archives, “Goodbye, Laura. Goodbye, my love.”

Review: Film: THEM, by Julie Renee Phelan

Thumps from 1 to 5: Thump of 5.
            The film “Them “was released in 1954. This cult classic terror science fiction flick is shot in black and white. The film is based on a story written by George Worthing Yates, developed into a screenplay by Ted Sherdeman and Russell Hughes, produced by David Weisbart and directed by Gordon Douglas, starring James Whitmore, playing Sergeant Ben Peterson, Edmund Gwenn, playing Doctor Harold Medford, Joan Weldon, playing Doctor Pat Medford, James Arness, playing FBI Agent Robert Graham, and Fess Parker, playing Alan Crotty. This film was nominated for an Academy Award for Special Effects.

This is a landmark nuclear blast creature feature about gigantic, nine feet long, radioactive mutated ants. In 1945, the U.S. military tested an atomic bomb in New Mexico. Unknown to the government, when the bomb mushroomed and released radiation, it changed the genetic composition of living ants. Now there are hordes of horrific gigantic size ants in mile deep catacombs. These remarkable ants are larger than automobiles. The ants are guided by their antennas as they claw towards the earth’s surface to encounter and conquer mankind.

The film begins with New Mexico State’s finest, Police Sergeant Ben Peterson, investigating the discovery of a little girl wandering around in the hot arid desert near Alamogordo, New Mexico. Sergeant Peterson ascertains the girls’ inability to communicate, she is mute. Peterson commences an investigation. Peterson becomes privy to more mysterious deaths and disappearances in the area. The detective discovers trailer wreckage, damaged by some unknown powerful force, and an unidentifiable twelve inch claw print in the desert sand.

The investigation expands to include a FBI Special Agent, Doctors Harold Medford and Pat Medford, a father/daughter team of entomologists from the Department of Agriculture. The scientific team is more secretive than the detectives comfort. Doctor Harold Medford uses a vial of formic acid to release the little girl from her near catatonic state. The little girl comes to grips with the world of consciousness, and screams “Them! Them!”

Upon encountering ants, law officers try revolvers, but opt for sub-machine guns after finding they have no affect on these monster ants. The US Air Force joins the mission, led by General O'Brien, to locate the nest and exterminates the ants with poison gas. Covertly, the government monitors and investigates any reports of unusual activities, such as "flying saucers," disappearance of a load of sugar in an ocean-going freighter, and ranting of an alcoholic in a psych-ward. One of the queens is tracked to the Los Angeles storm sewer system, forcing the Army to openly declare martial law and launch a major assault.

Notes of Interest: When Walt Disney was casting for the Davy Crockett television show, Disney viewed “Them,” and was so impressed by a brief but brilliant scene by Fess Parker, who plays the ranting alcoholic in the mental ward, he cast Fess Parker as Davy Crockett. Another Note: The entrance to the ants' final nest was along the concrete spillways of the Los Angeles River between the First and Seventh Street Bridges, east of downtown.

Work Cited:

Warner Bros. Inter-office memo from Steve Trilling, dated September 24, 1953.

"Them." Wikipedia, The Free Encyclopedia. 20 Nov. 2009, 8:29. Wikimedia Foundation, Inc. 30 Nov. 2009. http://en.wikipedia.org/w/index.php?title=Plagiarism&oldid=5139350.

“Them.” Internet Movie Database. 30 Nov. 2009, 4:25 PM

Review: Film: Hulk, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4

The film “Hulk” was released in 2003. The movie is a magical superhero operatic experience based upon the fictional Marvel Comics character. Ang Lee takes a chance by coupling the old B movie scene changes with operatic elements, an overture with cast of characters and musicians performing a marvelous piece combining libretto with a musical score and finale. This film is Ang Lee’s triumph for combining chance with a winning picture, bravo. “Hulk” surpasses his other film “Crouching Tiger, Hidden Dragon” that put him on the map of directors to be reckoned with in Hollywood.

“Hulk” was directed by Ang Lee, and stars Eric Bana, playing Dr. Bruce Banner, Jennifer Connelly, Sam Elliott, Nick Nolte and Josh Lucas. This film expand the original premise of the Incredible Hulk by including as evidence the genetic experiments that Dr. David Banner, Bruce Banner, conducted on himself trying to find a method for immortality of humans through DNA regeneration. However, David Banner biologically reproduced subsequently passing on the genetic malfeasants DNA onto his son, Bruce Banner.

Lieutenant Colonel “Thunderbolt” Ross, played by Sam Elliott becomes aware of David Banner’s genetic manipulation using human subjects and shuts down his experiment. David Banner explodes the facility, kills his wife, and is hospitalized in a mental institution. Bruce Banner believes his parents to be deceased, and grows up alternative home. Bruce is unable to recall his early childhood.

Bruce Banner becomes a brilliant researcher in the field of genetic re-engineering for human regeneration at the University of California at Berkeley. The idea of regeneration is interesting to the military industrial complex for soldiers injured on the field of battle. An unscrupulous Major Talbot, played by Josh Lucas appears on the scene as he not only pawns after the research information, but also after Betty Ross, played by Jennifer Connelly. Betty Ross is the daughter of Lieutenant Colonel Ross, and former girlfriend and co-research partner to Bruce Banner.

David Banner is released from the mental institution and suddenly appears as a janitor in the research facility in which Bruce is employed. Colonel Ross becomes fearful for his daughter’s safety. Major Talbot wants the research information. David Banner wants to follow Bruce Banners composition of DNA experimentation and results thereof. Bruce Banner and Betty Ross want to generate research that will assist humanity as Bruce Banner pines after the love of his life Betty Ross.

Bruce is subjected to a radiation accident in the genetics lab. Bruce is visited by his David in the hospital. David reveals true relationship and commences to explain the genetic DNA mutation within Bruce. Bruce becomes enraged transforming into the Hulk.

Review: Film: The Picture of Dorian Gray, by Julie Renee Phelan

Thump Review 1 to 5: Thumps of 4

The film “The Picture of Dorian Gray” has a release date of 1945. The basis of the film is from a novel written by Oscar Wilde entitled “The Picture of Dorian Gray.” The film direction is by Albert Lewin and stars George Sanders, playing Lord Henry Wotton, and Hurd Hatfield, playing Dorian Gray. It is a dramatic horror film. The film is black and white. However, when the portrait of Dorian Gray is in view, the picture is in color. This film won an Academy Award for Cinematography, black and white, by Harry Stradling Senior. The film was also nominated for Best Art Direction, Interior, Decoration, Black and White, and Best Supporting Actress.

The protagonist, Dorian Gray wishes to remain young and handsome forever. Dorian Gray would give anything to remain handsome including his soul. Unknown to Dorian Gray, the portrait of him ages rather than himself. An ancient Egyptian statuette of the goddess Bast makes the granting of the wish possible. The granting of the wish transpires inside the home of the painter Basil Hallward, played by Lowell Gilmore.

After some indiscretions and sins, Dorian Gray realizes his wish has come true. He obtains knowledge of the granting of his wish upon viewing his portrait, which has become more sinister in appearance. Dorian commits all sorts of sins pride, envy, lust, sloth, gluttony, greed and wrath. Dorian receives an influence from the witty yet hedonistic friend Lord Henry Wotton. With the advice of his friend Lord Henry, Dorian deliberately ruins a romance with the vaudeville singer Sibyl Vane, played by Angela Lansbury, nominated for an Academy Award, best supporting actress.

Dorian blames his indiscretions without consequences on the painter of his portrait, Basil Hallward. Dorian stabs Basil to death. In order to dispose of the body of Basil, Dorian blackmails an old friend Alan Campall, played by Douglas Walton, to clean up the bloody mess. After killing Basil, Dorian defiles Basil’s niece Glayds, played by Donna Reed. Dorian frequents opium dens. The film alludes to a potential homosexual relationship between Dorian, Basil and perhaps Alan. In the novel, the homosexual relationships are clear much to the chagrin of Oscar Wilde.

Oscar Fingal O'Flahertie Wills Wilde was born on October 16, 1854, and died on November 30, 1900. He was awarded a scholarship to Magdalen College, Oxford, where he studied from 1874 to 1878 and became a part of the Aesthestic movement; ; one of its tenets was to make an art of life. Oscar Wilde was an Irish playwright, poet and author of numerous short stories and one novel, “The Picture of Dorian Gray.”

Oscar Wilde was bisexual. During the trial of Oscar Wilde for gross indecency, the prosecution to obtain a conviction used his only novel, “The Picture of Dorian Gray”. On 25 May 1895, Wilde was convicted of gross indecency and sentenced to two years' hard labor. Prison was unkind to Wilde's health and after he was released on 19 May 1897. He spent his last three years penniless, in self-imposed exile abroad and cut off from society and artistic circles. Oscar Wilde spent his last years in the Hôtel d'Alsace, now known as L'Hotel in Paris. Wilde died of cerebral meningitis on 30 November 1900.

Review: Film: Cat on a Hot Tin Roof, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 4.5

The film “Cat on a Hot Tin Roof” is “Ferocious and fascinating. Done by superior talent” says Crowther of the “New York Times.” The real emotions and true dialogue of Tennessee Williams’ 1955 Pulitzer Prize play rumbles like aftershocks from an earthquake, and ends by blowing off its top like Mount Saint Helens. The film stars Elizabeth Taylor, Paul Newman and Burl Ives, all performances are magnetic and fiery. This picture was nominated for six Academy Awards including Best Picture.

Paul Newman earns his first Oscar nomination as a handsome aging drinking former football hero Brick. Elizabeth Taylor catches her second Oscar nomination as Brick’s wife Maggie the Cat. Maggie the cat offers a coy performance as a passionately loyal, but disturbingly independent character. Burl Ives repeats his triumphant Broadway performance as mendacity-loathing Big Daddy. The performances were disturbingly real and a breath of fresh oxygen in this time of political correctness. In today’s world, if they had acted-out as refreshingly honestly, they would have been labeled potentially violent.

As many of Tennessee Williams plays do, this film deals with conflict resolution between individuals. In one of the scenes Maggie the Cat scratches, “I’m not living with you. We just occupy the same cage, that’s all.” The point of this film is being honest may resolve archaic conflicts into consideration, understanding and love. Without honesty and truth, then there is only mendacity, abuse of power, lies and more deceptions.

This film is a tale of a family in crisis with relationships that are conflicted, Big Daddy and his wife, Brick and Maggie the Cat, and a brother and his wife. No one communicates the truth, but all is okay as long as the façade of deception and lies are in place to protect each member. At risk of failure is the family unit. They need to resolve sexual indiscretions and orientation, medical reality, effects of aging, neglect, greed and suicide. The entire storyline revolves around Big Daddy’s final birthday party at the family estate in Mississippi. The mendacity unfolds into a tumultuous array of intense dialogue, accusations and smack of reality.

Some of the more memorable quotes include when Maggie says, one more crack queenie, just one, and I will not only spit in your eye but I will punch it black and blue. Or when Big Daddy asks, why do you drink so much? And Brick replies, Gimme another drink and I'll tell you. The subject matter is adult, but it is an important film to view in this age of political correctness of not saying how we feel, mendacity!

Review: Film: The Brother from Another Planet, by Julie Renee Phelan

Thumps from 1 to 5: Thump of 4.

“The Brother from Another Planet” is a film written and directed by Oscar Nominee, John Sayles. Mr. Sayles is a maverick innovator within the independent film industry. He is also the writer and director for other films “Passion Fish,” “Lone Star” and “Sunshine State.” One review from “The Hollywood Reporter” describes this film as “Intelligent and engaging, with a keen sense of insight and a wry sense of humor. Another review from “Boxoffice” describes the film as “A thoroughly entertaining, delightful tale, tremendously funny and touching.”

An extraterrestrial, Joe Morton, crash-lands at the “Ellis Island Immigration Center.” The extraterrestrial disorientation does not enhance his ability within the city of New York, but he does manage to hobble into Harlem. He has a miraculous ability to regenerate limbs. Upon his arrival in Harlem those around view him with suspicion, he interacts with several characters an Evangelist, Oriental grocer, New York’s finest and Bar Flies. The Bar Flies project all kinds of possibilities upon this new interloper regarding his origin of origination and possible disabilities. Without further adieu, the Bar Flies adopt him as one of their own.

This film is a science fiction comedy that presents a realistic smack of the human condition augmented with humor. The story is an extraterrestrial without the ability of speech, observing unfamiliar surroundings and situations in Harlem. Although he is without the ability of speech, all persons he encounters speak to him without limitation. Remarkably, every individual the extraterrestrial encounters has a positive experience due to his or her encounters with this unusual brother from another world. They view him with kindness and give him advice on how to deal and interact with other people.

The arrival of intergalactic bounty hunters, who are trying to catch the extraterrestrial, creates another paradigm. Individuals that encounter the bounty hunters view the encounter as negative. The extraterrestrial has supernatural abilities with machinery, great strength coupled with his innovative resolutions, medical miracles, and humanistic attributes, most importantly is his ability to listen to others. However, those abilities and qualities merely act as metaphors for the objective of his journey, which is the message of brotherly love.

The screenplay is original with dialogue reminiscent of Harlem. The cinematography is exceptional. The ideas are unique, and well presented with racial irony: Bitter humor due to its truth. The viewing of this film shall be with consideration to the period it was completed in 1984. The movie reflects the societal historical situation of racial relations and stereotypes. The film is clever, and it presents difficult subject matter regarding racial relations, drug addiction, prostitution, poverty, violence and marginalized individuals with an original, humoristic and entertaining storyline. This film shall be secure in the historical archive.

Review: Film: Joy, by Julie Renee Phelan

Thumps from 1 to 5: Thumps of 3.5

             The film, Joy starring Jennifer Lawrence and Bradley Cooper is not realistic. According to Wikipedia, it is a biographical comedic drama, I did not know that it was a comedy until reading that it was suppose to be funny. The real person, Joy Mangano during the early 1990s invents a mop, and becomes a multimillionaire. During the early years of her trials and tribulations of poverty, Joy Mangano must have had a great wardrobe, make-up, and hairstylist. Jennifer Lawrence's performance is a farce, something that a screen-reader thought may make her the next Norma Rae. Lawrence with her perfectly styled wardrobe, hair and make-up did manage to remain on the screen for most of the movie, her performance however is like the wet mop she sells; it is not real or authentic, and definitely, Jennifer Lawrence is no Sally Fields. I did manage to watch the entire movie, but I wanted my money back. I highly recommend that Lawrence return to modeling, which is her place of origin. How many people in the Academy were bribed for Lawrence to receive a nomination for this Oscar as Best Actress?

Review: Film: Hud, by Julie Renee Phelan

Thumps from 1 to 5, Thumps of 4.5

The film “Hud” was released in 1963. Hud, played by Paul Newman, is the black sheep of the family with a certified chip on his shoulder. Although Hud is a self-centered cowboy that enjoys driving his old pink Cadillac fast and furious, perhaps there is a well-founded reason for his disgruntled behavior. The other stars include Melvyn Douglas, Patricia Neal, Brandon De Wilde and Whit Bissell. The film is based on a novel by Larry McMurtry, “Horseman, Pass By,” Screenplay by Harriet Frank Jr. and Irving Ravetch, and Directed by Martin Ritt. The filming took place primarily in Claude, Texas.

The tale centers around an unyielding patriarchal father Homer Bannon, played by Melvyn Douglas whose sense of principle and honor brings him into conflict with the unrelenting Department of Agriculture. Homer sense of ethics also brings him into conflict with his son Hud, a dishonest, self-centered libertine whose only aspiration in life is drinking, barroom brawls, joyriding, and sleeping around with woman, married or not, except the one that got away, Alma Brown, played by Patricia Neal.

Hud is reminded by his patriarchal father, Homer of his disappointment whenever he feels inclined, which is most of the time. Hud is angry and a relentless tyrant, who gains the attention of his father through negative or self-depredating actions. The force of the movie is towards the personal growth of the central figures, Homer and Hud.

Homer sacrifices by doing the right thing, trusting the U.S. government, while Hud tries to gain the respect by displaying nature through reality. Hud staunchly opposes the intervention of the government onto their cattle ranch. However, Homer, based on his ethics, explains he is doing right by allowing the government on their ranch. The feud continues and envelopes into something larger than the government, Homer or Hud, but rather into something we must all decide, government, ethics or nature, which horse trail do we trust and which do we choose?

This film was nominated for seven Academy Awards including Best Actor for Paul Newman, Best Art Direction-Set Decoration, Black and White by Hal Pereira, Tambi Larsen, Samuel M. Comer and Robert R. Benton, Best Director by Martin Ritt, Best Screenplay by Harriet Frank Jr. and Irving Ravetch. The film won three Academy Awards for Best Actor in a Supporting Role, played by Melvyn Douglas, Best Actress in a Leading Role, played by Patricia Neal, and Best Cinematography, Black and White by James Wong Howe.